A Versatile Tenor Bringing Passion to Concert, Opera, Recital and Ensemble Performance
Haitian-American vocalist David Pelino brings his “powerful tenor” (South Florida Classical Review) to venues across America. He is equally at home on the concert stage, in opera, recital and with professional ensembles. He studied voice with Ron Burrichter at the University of Florida and Steven Tharp at the University of Missouri.
In concert, David has been able to sing with reputable arts organizations such as Bach Akademie Charlotte and the Illinois Bach Academy. His most recent concert debut was as Uriel in Haydn’s The Creation with the Choral Arts Alliance of Missouri and the Leme Ensemble under the direction of Dr. R. Paul Crabb. His versatile, lyric instrument has enabled him to be the soloist in other major works such as Handel’s Messiah, Theodore Dubois’s The Seven Last Words of Christ, Benjamin Britten’s Rejoice in the Lamb, Adolphus Hailstork’s I Will Lift Up Mine Eyes, and as the Evangelist in J.S. Bach’s St. John Passion.
On the stage, he recently made his role debut as Sam in Carlisle Floyd’s Susannah with the Soo Opera Theatre, under the direction of Casey Robards. His other role credits include Frederic from The Pirates of Penzance, and King Kaspar in Amahl and the Night Visitors with the MU Show Me Opera.
David’s commitment to art song has been demonstrated with his recent work with Vocal Arts D.C., an organization committed to the proliferation of art song in the Washington D.C. area, and a recent recital at Columbia College, in Columbia, MO.
As an ensemble singer, David performs with some of the top professional choirs in the nation. He sings at the Washington National Cathedral and is currently on the rosters of Seraphic Fire, Handel + Haydn Society, Kinnara, the American Spiritual Ensemble, and Prometheus.
Photography by Brandon McKinley